Sweeney Todd
directed by Amy Vyskocil-Flint
Returning to London after his wrongful imprisonment, Sweeney Todd is driven to revenge. With the help of his accomplice, Mrs Lovett, he reopens his barber shop and kills his customers with the hope of killing the man behind his false conviction and his wife's death.


Marketplace Ambience
Asylum Ambience
Murder Soundscape


I also had the opportunity to write original music, utilising strings and haunting bells to complement the Victorian England setting and macabre mood and atmosphere. These cues range from foreboding and creepy, to fragile and bittersweet.
'Johanna's Theme' is build from a bittersweet melody that illustrates that despite having hope that she will eventually be independent and free from the clutches of Judge Turpin, her fate is ultimately out of her hands. The melody repeatedly rises and falls to highlight that no matter how much she wants it, nothing will change.
'Tragedy at the Masquerade' plays as Mrs Lovett's recounts Lucy's sexual assault. The piece begins as a dissonant Waltz but later into the monologue it is gradually pitch-shifted and distorted until it becomes a noisy, atonal mess, mirroring the highly disturbing and repulsive nature of the assault.
The remaining tracks are stingers that help to ease the transitions between scenes and to reinforce the mood and atmosphere.
Johanna's Theme
Tragedy at the Masquerade
Another Life Claimed (Stinger)
A Silver Lining (Stinger)
Duality of Man (Stinger)
Devil's Lullaby (Stinger)
Johanna's Reprise (Stinger)
Photos by Cassie Woollaston